Written by: Emmett Stinson, Lecturer in Writing and Literature, Deakin University
There has been no shortage of bad news for Australia’s literary and publishing sector in the last year. Major literary journals Island and Overland have been defunded. Only 2.7% of Australia Council funding went to books and writing. The Chair in Australian Literature at University of Sydney is not being renewed.
Two major projects by literary academics were recommended for funding by the Australian Research Council’s peer-review process in 2018, but were rejected by ministerial discretion. Melbourne University Publishing’s CEO, Louise Adler, resigned after the university asked for a change in editorial direction.
And now University of Western Australia has announced dramatic changes to its highly-decorated press, University of Western Australia Publishing. These changes involve not renewing the contract of Director Terri-ann White, deemed “surplus to requirements”, and an end to current publishing activities.
It would be hard to blame writers and literary academics for feeling paranoid. Just because you’re paranoid, it doesn’t mean they’re not out to get you.
A decline in literary publishing
In 2006, Mark Davis published The Decline of the Literary Paradigm in Australian Publishing.
He argued that between WWII and the 1990s, Australian publishers embraced their role in shaping national culture by subsidising unprofitable literary works with profits from more commercial titles. But by the 2000s, publishers had become neoliberal organisations that sought to maximise profits rather than support literary culture.
We are now seeing this same logic applied by universities.
Universities are increasingly focused on metrics driving enrolments, international rankings and research excellence. This, in turn, supports government funding and research grant income. Universities increasingly prioritise these metrics over cultural contributions that are harder to quantify.
A statement released by UWA claims the changes will help “to guarantee modern university publishing into the future”, foreshadowing “a mix of print, greater digitisation and open access publishing.”
This statement might appear to mirror recent events at Melbourne University Press last year, but these situations are very different.
A leading literary publisher
Academics had long questioned Melbourne University Press’ publication of works with commercial and political appeal but no clear scholarly or cultural value.
Professor Ronan McDonald summed up this view earlier this year when he wrote that Melbourne University Press was “a trade press irritatingly obliged to publish a few academic titles”.
Melbourne University reaffirmed its commitment to the Press by hiring a respected scholarly publisher, founding director of Monash University Publishing Nathan Hollier, with a track record of producing scholarly titles alongside prize-winning works for a general readership.
UWA Publishing, on the other hand, is one of our leading literary publishers, cultivating authors and significant titles often overlooked by commercial publishers.